Upcoming: 2026 promises to be an exiting year

05. March 2026: Pierrot Lunaire @Contemporary Sound Forum Seoul under the direction of Yoon Jang in Seoul, South Korea

Mid-2026: New Performance Lecture Project in collaboration with artist Luca Wielage

September 2026: Musikfestival Bern / Premiere of a new work by Aline Sarah Müller

More coming soon!

Selected Past Performances

My recent work has unfolded through close collaborations with composers, performers, and visual artists across experimental music festivals, museums, and interdisciplinary platforms. Venues have included Mozartfest Würzburg, Sommerblut Kulturfestival Cologne, Museum für Angewandte Kunst Köln, Beethoven-Haus Bonn, 674FM Köln, and INMM Darmstadt, among others.

In 2024/25, I was awarded a year-long scholarship at Mozartfest Würzburg, which culminated in a concert in June 2025 as part of the Freispiel concert series. During this period, I developed a sustained artistic dialogue with guitarist Melani Skopljakovic on Gerhard Müller-Hornbach's Gesänge der Schirin.

I have premiered new works with composers including Ahmetcan Gökçeer, Irene Tanuwidjaja, Joan Tan Jing Wen, Tom Belkind, Carlie Schoonees, and Paul Zoder, among others. Recent premieres include Uninvited Breath (2025) with Ahmetcan Gökçeer and percussionist Katherina Liashchevska at 674FM Köln; command Ü (2024) for voice, live electronics, and video with Ahmetcan Gökçeer and videographer Camilla Angiolini, presented as part of the Kölner Designpreis; and was wahr bleibt (2025) with Irene Tanuwidjaja and Joan Tan Jing Wen at Sommerblut Kulturfestival.

Other projects include the long-duration performance O VERLOAD (2024) with Paul Zoder and Luca Wielage at the 77th Spring Conference of INMM Darmstadt, Tom Belkind's music theater Solitude (2025), and a concert performance of excerpts from Ethel Smyth's The Boatswain's Mate (as Mrs. Waters) at HfMT Köln (2024). I have also participated in masterclasses at John Cage Academy Halberstadt with soprano Sarah Maria Sun, focusing on extended vocal techniques and contemporary repertoire.

Alongside this concert work, I maintain an ongoing practice as voice artist and storyteller in children's concerts in Cologne, and continue to develop my improvisation and experimental vocal work beyond notated frameworks.